TV-grade commercials, brand films, social-first verticals, and ad creative that performs. One shoot, forty cuts, planned around where the asset will run before the camera turns on.
The biggest mistake brands make with video in Iraq is shooting a 90-second cinematic film and trying to run it as a 6-second pre-roll. Different platforms reward different cuts, different aspect ratios, different opening hooks.
Pomelo plans the production around where the asset will land, and around the brand identity it has to live inside, before the camera turns on. One shoot day, a hero cut, forty pieces of social, and the performance creative for the paid media plan. All briefed together. All shot together.
Every frame is bespoke, TVCs and brand films use a different rig and a different edit pipeline than vertical socials or ad creative. We run all six in-house in Erbil and Baghdad.
Concept, script, casting, location, production, post. Delivered for broadcast and digital with every format cut-down a media plan needs.
We've worked with the biggest broadcasters in Iraq, so we understand both the craft of high-end TVC and the speed of social-first content.
Long-form storytelling, corporate, recruitment, founder stories. Designed to live on your website and run in stakeholder presentations for years.
Chapter-marked, subtitle-ready, and delivered in every format your CRM, intranet, or homepage needs.
9:16, native-feeling, built for Reels, TikTok, and Snap. Hook in the first second, and slotted into the social content engine for weekly cadence.
From one shoot day we'll deliver forty pieces of vertical for the next quarter.
UGC-style ads, testimonial cuts, product demos, engineered for Meta Ads and TikTok Ads, with A/B variants built in from day one of the paid plan.
Two openers, two endings, two hooks. We ship the matrix and let the algorithm pick the winner.
Logo reveals, product visualisations, animated infographics, end-frames. In-house, not outsourced, which means revisions happen in hours, not weeks.
Wireframe → shaded → final, all in our Cinema 4D + After Effects pipeline.
Editing, sound design, colour grading, subtitling (Arabic, Kurdish, English). Full DaVinci Resolve and Premiere pipeline with every deliverable colour-matched and loudness-normalised.
Every track licensed (Artlist, Musicbed, Epidemic, or original composition). No grey-area downloads.
Concept to delivered TVC in 4–6 weeks. Short social videos in 1–3. Approved at every gate, nothing hits set without you signing off.
We meet, we listen, we come back with two or three concept directions, script, treatment, mood, music reference, realistic budget.
Location scouting, casting, storyboarding, shot list, schedule, crew. Approved by you before anyone hits set.
One to three production days for most projects, with you on set or on a live monitor remotely. Tight on-set efficiency.
Rough cut → first review → fine cut → colour & sound → final deliverables in every format your media plan needs.
Scrub through what brands ask before they hand us a budget.
Send us the gist, even a paragraph. We'll come back with directions, a realistic timeline, and a budget you can take to your team.